My work begins with a simple curiosity about how things work. I approach the world a bit like a child taking apart a toy, not to break it, but to see what makes it move. That impulse leads me to look closely at the systems around us, especially the ones that quietly shape our environment and influence how we behave.

I am drawn to situations where many forces come together at once, human and nonhuman, technical and ecological. Rather than seeing systems as fixed or abstract, I treat them as living arrangements that can be traced, tested, and experienced. Research becomes a hands-on process, a way of pulling something apart in order to understand its inner rhythm.

Out of this process emerge what I think of as computational anecdotes. These are small, constructed environments that translate a complex system into a simplified, metaphorical form. The works do not try to reproduce reality in full. Instead, they offer partial views that make certain patterns and behaviors easier to sense and reflect on.

Exhibitions are not endpoints but temporary spaces for inquiry. Visitors are invited to move through the work, experiment with it, and draw their own conclusions. Rather than offering clear answers or grand statements, the work asks for attention and for a slowing down, so that subtle relationships can come into view.